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Engraving is the practice of incising a design onto a hard, flat surface, by cutting grooves into it. The result may be a decorative object in itself...

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Etching is an intaglio method of printmaking in which the image is incised into the surface of a metal plate using an acid. The acid eats the metal, leaving...

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Giclée , commonly pronounced "zhee-clay," is the use of the ink-jet printing process for making fine art large format digital images. The word giclée was coined...

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Intaglio is a printmaking technique in which the image is incised into a surface. Normally, copper or zinc plates are used as a surface, and the incisions are created by etching...

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Lithography is a method for printing on a smooth surface. It can be used to print text or artwork onto paper or another suitable material...

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Mezzotint is a printing process of the intaglio family, in which the surface of a metal plate is roughened evenly; the image is then brought...

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Screenprinting, or serigraphy, previously known as Silkscreen is a printmaking technique that traditionally creates a sharp-edged image using a stencil...

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A woodcut is a wooden printing surface used in woodblock printing, a method in which an image is carved into the surface of a piece of wood...

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Offset printing is a widely used printing technique where the inked image is transferred from a plate first to a rubber blanket, then to the printing surface...

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Etching

Etching is an intaglio method of printmaking in which the image is incised into the surface of a metal plate using an acid.

Explanation

The acid eats the metal, leaving behind roughened areas, or if the surface exposed to the acid is very narrow, burning a line into the plate. The process is believed to have been invented by Daniel Hopfer (circa 1470-1536) of Augsburg, Germany, who decorated armour in this way, and applied the method to printmaking. Etching is also used in the manufacturing of printed circuit boards and semiconductor devices and the preparation of metallic specimens for microscopic observation.

Controlling the acid's effects

Hard grounds

There are many ways for the printmaker to control the acid's effects. Most typically, the surface of the plate is covered in a hard, waxy 'ground' that resists acid. The printmaker then scratches through the ground with a sharp point, exposing lines of metal that are attacked by the acid

Aquatint

Aquatint is a variation in which particulate resin is evenly distributed on the plate, then heated to form a screen ground of uniform but less than perfect density. After etching, the result is a uniformly roughened (i.e., darkened) plate that may then be drawn on by smoothing it, creating the image from dark-to-light rather than the reverse.

Printing

Printing the plate is done by covering the surface with ink, then rubbing the ink off the surface with tarlatan cloth or newsprint, leaving ink in the roughened areas and lines. Damp paper is placed on the plate, and both are run through a printing press; the pressure forces the paper into contact with the ink, transferring the image (c.f., chine-collé). Unfortunately, the pressure also subtly degrades the image in the plate, smoothing the roughened areas and closing the lines; a copper plate is good for, at most, a few hundred printings of a strongly etched imaged before the degradation is considered too great by the artist. At that point, the artist can manually restore the plate by re-etching it, essentially putting ground back on and retracing their lines; alternately, plates can be electro-plated before printing with a harder metal to preserve the surface. Zinc is also used, because as a softer metal, etching times are shorter; however, that softness also leads to faster degradation of the image in the press.

Faults

Faux-bite is common in etching, and is the effect of minuscule amounts of acid leaking through the ground to create minor pitting and burning on the surface. This incidental roughening may be removed by smoothing and polishing the surface, but artists often leave faux-bite, or deliberately court it by handling the plate roughly, because it is viewed as a desirable mark of the process.

Trivia

The phrase "Want to come up and see my etchings?" is a romantic cliché in which a man entices a woman to come back to his place with an offer to look at something artistic.

On the other hand, money is an etching. Draw your own conclusions.